Chess the Musical Audition Announcement

AMERICAN COAST THEATER COMPANY

SEEKING VIRTUAL SUBMISSIONS FOR:

 

CHESS THE MUSICAL

A lightly staged Rock Opera Concert

By Benny Andersson and Bjorn Ulvaeus of the pop group ABBA, lyrics by Tim Rice

 

Rehearsal Dates: May 6 – June 5, 2024 at the Lyceum Theater in Costa Mesa.

Performance Dates: June 6 – 16. There is some pay for principles.

 

VIDEO SUBMISSION:

Please submit an upbeat rock opera song with proper belt or mixed vocal in respective range. Looking for rock tenors, baritones, basses, and soprano 1 & 2. All roles available. Songs from CHESS are encouraged. Physicalize the character with emotional truth/depth. Video auditions should be submitted to SKBerkompas@gmail.com with subject CHESS Submission. Include headshot/resume.

Deadline: Submit an unlisted U-Tube channel link in the email by January 3.

 

IN-PERSON CALLBACK:

A group callback will be held in-person on January 9 from 6pm – 9pm, by invitation. Callbacks will include more singing from the show; sides, and possibly a prepared dramatic monologue. Sides will be provided to those in advance by January 5 via email.

 

DESCRIPTION:

CHESS is set in the 1980s during the Cold War between the U.S. and the Soviet Union. It is a story about the romantic triangle between two players in a World Chess Championship, one Russian and one American, and the Hungarian-born American woman who manages one and falls in love with the other.

 

CHARACTER BREAKDOWN:

FLORENCE – strong belt voice (to E). 20s-30s. Born in Hungary, has been brought up in America. She is clever, theatrical, touching, vivacious, volatile.

 

FREDDIE – rock Tenor (to C). late 20s-30s. An American chess champion. A cross between Bobby Fisher and John McEnroe. Arrogant and temperamental, but a genius; his chess playing is revolutionary. Artistry, obsessiveness, and danger.

 

ANATOLY – Baritone (to G sharp). 30s-early 40s. A Russian chess champion. Unexpectedly charming. Doesn’t seem like a romantic hero at first but becomes one. Intelligent, feeling, passionate.

 

MOLOKOV – Bass (down to F sharp). 40s-50s. Not a fake, comic, stage Russian. Intellectually formidable. Seemingly a father figure to Florence. Anatoly’s chess “second”. An actor who sings well.

 

SVETLANA – strong belt Soprano 2 voice. 30s. Anatoly’s wife. Domestic, wholesome, homey. A dramatic contrast to Florence. Not a contemporary cosmopolitan woman.

 

WALTER – Bass-Baritone (down to G sharp). 50s. A marketing agent. Seemingly respectable, substantial, trustworthy. An actor who sings well.

 

ARBITER – rock high Baritone (up to A). 30s-40s. International businessman. Smooth, but with a quick temper.

 

MALE & FEMALE ENSEMBLE: Need 15 strong singers who can act.

 

All genders, races, ethnicities, ages, and abilities are encouraged to submit.

Announcing our Summer 2024 Season!!

Music by Bjorn Ulvaeus and Benny Andersson
Lyrics by Tim Rice

Directed by Susan K. Berkompas 

Showing: June 6 – June 16

A lightly staged Rock Opera Concert

From the members of musical pop sensation ABBA that brought us Mamma Mia, Chess is set in the 1980s during the Cold War between the U.S. and the Soviet Union. It is a story about the romantic triangle between two players in a World Chess Championship, one Russian and one American, and the Hungarian-born American woman who manages one and falls in love with the other. Hit rock songs like “One Night in Bangkok” and “Nobody’s Side” are guaranteed showstoppers; and ballads “I Know Him So Well” and “Heaven Help My Heart” bring humanity to the true character pawns in this allegory.

Purchase tickets at ACTCtickets.com

By John Boynton Priestley

Directed by Connor Berkompas

Showing: June 21 – June 30  

A gripping thriller, boldly reimagined 

When a mysterious Inspector unexpectedly arrives at the prosperous Birling family home, their celebratory dinner is shattered by his investigations into the death of a young woman.

The Inspector’s suspense-filled investigation threatens the very foundation of the family’s lives, leaving them to re-examine their responsibility to the outside world and each other. 

Written in 1944, J. B. Priestley’s powerful thriller reinvents the popular “drawing room” murder mystery, turning the genre on its head. 

Purchase tickets at: ACTCtickets.com